“Cyberpunk.” Johns Hopkins Guide to Digital Media. Lori Emerson, Marie-Laure Ryan, and Ben Robertson, Editors. Baltimore, MD: Johns Hopkins UP, 2014.
“The Literary And/As the Digital Humanities” (Introduction to DHQ’s special issue on “The Literary,” co-authored and -edited with Jessica Pressman). Digital Humanities Quarterly (Fall 2013): (4,000 words, approx.).
“Galatea’s Riposte: The Reception and Receptacle of Interactive Fiction.” electronic book review (Fall 2013): (8,000 words, approx.).
“Mr. Wednesday’s Game of Chance: Causality and Constant Conjunction in American Gods.” Neil Gaiman and Philosophy. Chicago, IL: Open Court, 2012.
“Science Fiction and Environmentalism.” A Sense of Wonder: a Century of Science Fiction. Ed. Leigh Grossman. Rockville, MD: Wildside Press, 2011.
“’Terminal Hopscotch’: Navigating Networked Space in Talan Memmott’s Lexia to Perplexia.” Contemporary Literature (Fall 2011): pp. 493-521.
“Capsules and Nodes & Ruptures and Flows: Circulating Subjectivity in Neal Stephenson’s Snow Crash.” Science Fiction Studies (March 2010).
“Wax Blocks, Data Banks, and File #0467839: The Archive of Memory in William Gibson‟s Science Fiction.” InterActions: UCLA Journal of Education and Information Studies 1.2 (2005). 10 Oct. 2007: (8,600 words).
“Landscape and Locodescription in William Gibson.” Foundation: the International Review of Science Fiction 98 (Autumn 2006): 16-27.
“Haunted Voiced, Hollow Spaces, and the Birth of the Rock Star Bride: Reassessing the Role of the Body in William Gibson‟s Cyberpunk Fiction.” The Cultural Influences of William Gibson, the “Father” of Cyberpunk Science Fiction. Ed. Carl B. Yoke & Carol L. Robinson. Lewiston, NY: The Edwin Mellen Press, 2007. 157-185.
“Healthy Lies and Downcast Eyes: Marketing Ethnic Identity in Sandra Cisneros‟ Caramelo.” Critical Essays on Chicano Studies. Ed. Ramón Espejo, Juan-Ignacio Guijarro, Jesús Lerate de Castro, Pilar Marín, & María Ángeles Toda Iglesias. Bern: Peter Lang Publishing Group, 2007. 233-244.
“Records, Projections, and the Dixie Flatline: Character Loops in Adolfo Bioy Casares‟ La invención de Morel and William Gibson‟s Neuromancer.” Tinta Annex: Selected Proceedings of the Fifth Annual Graduate Student Conference on Lusophone and Hispanic Literature and Culture (Winter 2004): 161-175.
“Computer-Aided Prayer: Faith in Bits and the Cinema,” New Contemplative Review, Journal of Spirituality Studies. Vol. 1, Issue 1. Summer 2004
A New “Gospel of the Three Dimensions”: Expanding the Boundaries of Digital Literature in Jörgen Schäfer and Peter Gendolla’s Beyond the Screen. Electronic Book Review (Nov. 2011).
Rev. of Love and Other Technologies: Retrofitting Eros for the Information Age, by Dominic Pettman. JAC: Rhetoric, Writing, Culture, Politics 28 (June 2010): 790-798.
Rev. of Digitize this Book, by Gary Hall; From Gutenberg to Google, by Peter L. Shillingsburg; and Poetic Acts and New Media, by Tom O’Connor. American Literature (June 2011):466-468.
Rev. of Machine-Age Comedy, by Michael North, and Exfoliations: Reading Machines and the Upgrade Path, by Terry Harpold. American Literature (June 2010): 447-449.
OTHER SCHOLARLY WRITING
“Spore 1.0” A group curation for In Media Res: a Media Commons Project‘s theme on “Media and Technology.” With Lindsay Averill, Connor Boyle, Jennifer Cox, Valorie Ebert, Taylor Howard, Russell Krum, Phil Mazzeo, and Kalisha Thomas.
ENTRIES FOR THE ELECTRONIC LITERATURE DIRECTORY
Short critical entries about the following works of electronic literature, written between 2009-2010:
“I, You, We.” Dan Waber and Jason Pimble (2005).
//**Code_UP. Giselle Beiguelman (2004).
CYOA. Christian Swinhart (2009).
“The Book after the Book.” Giselle Beiguelman (1999).
“Ceci n’est pas un Nike.” Giselle Beiguelman (2002).
“My Body—a Wunderkammer.” Shelley Jackson (1997).
Clearance. Dreaming Methods (2008).
“Textural Textuality.” Joyce R. Walker (Kairos 2002).
REPORTS FOR THE TRANSLITERACIES RESEARCH PROJECT
Short critical research reports about key artworks, objects, and technologies related to online reading, written between 2007-2008.
A sampling of short stories, creative non-fiction, and poetry.
“Land of the Gaping Mouths” (creative non-fiction). What Wildness Is This: Women Write about the Southwest. Ed. Susan Wittig Albert. Austin, TX: U of Texas Press, 2007. Print.
“Palindrome” (creative non-fiction). Waking up American: Coming of Age Biculturally. Ed. Angela Jane Fountas. Berkeley, CA: Seal Press, 2005. Print.
“The Leaping Bavarians and Other Stories” (short story “chapbook”). Terminus Magazine, Summer 2004. Print.
“The Leaping Bavarians” (short story). Closer Magazine. 1.26 (2004). Print.
“The Grass Witch” (short fantasy story). “Fantastical Visions II. Ed. W. H. Horner. Fantasist Enterprises, 2003. Print.
“Batwing” (short story). Nidus. Web. Spring 2003.
“Saturday” (short story). Family Gatherings (Anthology), Outrider Press, June 2003. Print.
“Lower Back Pain” (short story). Mid-American Review. 22.1 (2001). Print.
“Tale of the Crimson Madder” (short story). Moxie Magazine. February 2001. Print.
“Panama House,” “The Toothache Tree” (poems). New CollAge Magazine, June 2000. Print.
“The Chariot of Inti” (short science fiction story). Digital Catapult. 2000. Web.